Designed by iconic high-gain amp guru James Brown, the Big Rock Pro II brings back the glory of the So-Cal, Plexi modded, tone loved and desired by millions. Classic “Big Gain Tone” available in a convenient stomp box! In addition to being able to cover the great classic rock sounds of the past, the Big Rock Pro II has more than enough gain to keep up with modern players needing the flexibility to create a full palette of tones.
In addition to a full assortment of high-gain tones and switching capabilities, the Big Rock Pro II now includes Depth Finder and DeFizzerator processing built in for even more tone sculpting abilities.
Perfect for live and studio, the Big Rock Pro II includes a balanced DI, cab sim and headphone output in addition to three separate loops for multiple processing and switching combinations.
Why You Must Have It……. And Have It Now!!!
All analog circuitry- none of the latency associated with digital technology. Better dynamics, better response, better tone.
Ultimate tool for recording– A Swiss Army knife of tools to create perfect tracks quickly and easily. No fumbling through menus or subpages. Turn a knob-get the sound. EQ, Noise Gate, Depth Finder, DeFizzerator, Balanced Output, Cab Simulator all available and ready to go!
Can be used as a preamp or effect pedal- Connect the Big Rock Pro II directly into the effects return on an amplifier or directly into a power amp for a full sonic assault or simply run it in into the clean channel of a favorite amp.
Built in noise gate-Fast and responsive to keep everything TIGHT!
Depth Finder– Simulate the response of a tube power up with an all analog circuit design. Control Resonance and Presence. Warm up a solid-state amp or add depth to a direct recording track.
DeFizzerator – Take out some of the excessive high end associated with some amps and speakers in high-gain mode.
Effects Loops- Three distinct and incredibly useful effects loops conveniently located on the back of the box for easy access and configuration.
Two Boost Controls- One before and one after the distortion.
9V or 18V – Run at 18V for more headroom or 9V for more drive & compression
Sound – Did we mention it sounds great! Really, really great!