HYBRID JFET/GERMANIUM BASS DIRTY BOOSTER
You may be thinking, “Oh no, not another clean booster…”.
If that is your thought right now, I don’t blame you. If you’re a stompbox junkie you probably know that there is no shortage of signal boosters out there.
So what makes the Phat Phuk Bass Booster different?
Well, a few things:
Here’s what the Phat Phuk is:
A germanium/JFET booster. A unique sounding pedal which adds a beautiful sheen to your bass’ top end and a bit of grit to the overall tone. It’s a fantastic pedal for situations where you want a lift in your overall level, during a chorus or bridge for example, with a bit of bawdy bump via the germanium transistor.
One nice feature is also the more modern JFET transistor at the input which keeps the pedal impedance-friendly when it comes to active bass pickups. This helps the Phat Phuk to remain consistent whether you put a P-Bass in front of it, or a Warwick Thumb
Another recommended use: As a simple preamp when going direct into your DAW. Helps to de-sterilize your bass’s direct tone and add a little life before the signal is converted to ones and zeros.
Something else that was considered when creating the Phat Phuk B. Many clean-boosts offer way too much boost in my opinion. In any normal playing situation, including intentionally slamming the front end of a tube amp to induce the amp’s natural overdrive, one really only needs a hefty thump to get the job done. There’s nothing wrong with having a large amount of volume on tap, but a problem that can sometimes occur is a lack of ability to fine tune the amount of boost you want. When the sweep of the knob goes from zero to melt-down with one turn of the knob, it gets tough to really dial in a precise amount of boost. Also a slight bump of the boost knob (with a foot or nervous “live show” jitters) can send things out of control. I know because its happened to me. Went for the big chorus during a song, hit the clean boost (not mine, this was long before Wren and Cuff existed) and tore the heads off the people in the front, pissed off the sound man, and pretty much ruined that song. Therefore, the volume sweep was reduced with the Phatty. You still get a big gob of gain, and probably won’t ever need to run the pedal “at 11″, but the trade -off is worth the extra control. Just an example of what Wren and Cuff prides itself on: pedals that sound superior, look beautiful, can take a beating, and are made with the “real world” player in mind.
In other words: A meticulous attention to detail.
Give the Phat Phuk a try! It’s beauty is in it’s simplicity, but you’ll be surprised how often it’s on!
Check out the demo vid, but please know that it is 8 years old! The quality isn't the best, but the info is still 100% accurate.